{"id":381,"date":"2019-01-08T10:42:38","date_gmt":"2019-01-08T08:42:38","guid":{"rendered":"http:\/\/disseny-test.uoc.edu\/materials\/tipografia-avan\/?page_id=381"},"modified":"2019-01-10T15:42:09","modified_gmt":"2019-01-10T13:42:09","slug":"1-2-3-la-lletra-italica","status":"publish","type":"page","link":"http:\/\/disseny-test.uoc.edu\/materials\/tipografia-avan\/1-2-3-la-lletra-italica\/","title":{"rendered":"1.2.3. La lletra it\u00e0lica"},"content":{"rendered":"<p>Una de les dues branques en qu\u00e8 derivar\u00e0 la min\u00fascula carolina \u00e9s la it\u00e0lica, o human\u00edstica, que \u00e9s l\u2019escriptura caracter\u00edstica del Renaixement. Amb trets m\u00e9s oberts, proporcions m\u00e9s condensades i car\u00e0cters lleugerament m\u00e9s estructurats, la lletra it\u00e0lica recupera de manera natural les maj\u00fascules romanes i fa evolucionar la min\u00fascula cap a formes que es poden executar m\u00e9s r\u00e0pidament.<\/p>\n<p>La it\u00e0lica, coneguda hist\u00f2ricament com a <em>cancelleresca<\/em>, \u00e9s l\u2019origen de la tipografia cursiva (del llat\u00ed <em>cursus<\/em>, \u2018c\u00f3rrer\u2019), que no hauria de ser confosa amb la versi\u00f3 inclinada d\u2019una tipografia.<\/p>\n<figure id=\"attachment_74\" aria-describedby=\"caption-attachment-74\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" class=\"size-full wp-image-74\" src=\"http:\/\/disseny-test.uoc.edu\/materials\/tipografia-avan\/wp-content\/uploads\/sites\/13\/2018\/12\/20140_m1_005.jpg\" alt=\"\" width=\"800\" height=\"473\" srcset=\"http:\/\/disseny-test.uoc.edu\/materials\/tipografia-avan\/wp-content\/uploads\/sites\/13\/2018\/12\/20140_m1_005.jpg 800w, http:\/\/disseny-test.uoc.edu\/materials\/tipografia-avan\/wp-content\/uploads\/sites\/13\/2018\/12\/20140_m1_005-300x177.jpg 300w, http:\/\/disseny-test.uoc.edu\/materials\/tipografia-avan\/wp-content\/uploads\/sites\/13\/2018\/12\/20140_m1_005-768x454.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-74\" class=\"wp-caption-text\"><span lang=\"CA\">L\u00e0mina d\u2019estudi de les min\u00fascules de la lletra cancelleresca. Origen: Claude Mediavilla. <i>Caligraf\u00eda<\/i>.<\/span><\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Una de les dues branques en qu\u00e8 derivar\u00e0 la min\u00fascula carolina \u00e9s la it\u00e0lica, o human\u00edstica, que \u00e9s l\u2019escriptura caracter\u00edstica del Renaixement. Amb trets m\u00e9s oberts, proporcions m\u00e9s condensades i car\u00e0cters lleugerament m\u00e9s estructurats, la lletra it\u00e0lica recupera de manera natural les maj\u00fascules romanes i fa evolucionar la min\u00fascula cap a formes que es poden [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false},"acf":[],"_links":{"self":[{"href":"http:\/\/disseny-test.uoc.edu\/materials\/tipografia-avan\/wp-json\/wp\/v2\/pages\/381"}],"collection":[{"href":"http:\/\/disseny-test.uoc.edu\/materials\/tipografia-avan\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/disseny-test.uoc.edu\/materials\/tipografia-avan\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/disseny-test.uoc.edu\/materials\/tipografia-avan\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/disseny-test.uoc.edu\/materials\/tipografia-avan\/wp-json\/wp\/v2\/comments?post=381"}],"version-history":[{"count":3,"href":"http:\/\/disseny-test.uoc.edu\/materials\/tipografia-avan\/wp-json\/wp\/v2\/pages\/381\/revisions"}],"predecessor-version":[{"id":607,"href":"http:\/\/disseny-test.uoc.edu\/materials\/tipografia-avan\/wp-json\/wp\/v2\/pages\/381\/revisions\/607"}],"wp:attachment":[{"href":"http:\/\/disseny-test.uoc.edu\/materials\/tipografia-avan\/wp-json\/wp\/v2\/media?parent=381"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}