{"id":462,"date":"2016-09-23T09:10:54","date_gmt":"2016-09-23T09:10:54","guid":{"rendered":"http:\/\/disseny-test.uoc.edu\/recursos\/dd\/?page_id=462"},"modified":"2016-09-29T13:26:08","modified_gmt":"2016-09-29T13:26:08","slug":"referencias","status":"publish","type":"page","link":"http:\/\/disseny-test.uoc.edu\/recursos\/dd\/ca\/referencias\/","title":{"rendered":"Refer\u00e8ncies"},"content":{"rendered":"<p><strong>Arnheim, R.<\/strong>\u00a0(1969\/1986).\u00a0<em>El pensamiento visual.<\/em><em>\u00a0<\/em>Barcelona: Paid\u00f3s.<\/p>\n<p><strong>Aryse<\/strong>\u00a0(2013).\u00a0<em>Gjon Mili y Picasso: dibujando con la luz<\/em>. [En l\u00ednia]. [Data de consulta: 2 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"http:\/\/www.aryse.org\/gjon-mili-y-picasso-dibujando-con-la-luz\/\">http:\/\/www.aryse.org\/gjon-mili-y-picasso-dibujando-con-la-luz\/<\/a>&gt;<\/p>\n<p><strong>ASALE<\/strong>\u00a0(2016).\u00a0<em>Dibujo<\/em>. Diccionario de la lengua espa\u00f1ola. [En l\u00ednia]. [Data de consulta: 2 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"http:\/\/dle.rae.es\/?id=DgED6Zj\">http:\/\/dle.rae.es\/?id=DgED6Zj<\/a>&gt;<\/p>\n<p><span><strong>Banksy<\/strong><\/span>\u00a0(2001).\u00a0<em>Banging Your Head Against a Brick Wall<\/em>. Bristol: Banksy.<\/p>\n<p><span><strong>Banksy<\/strong><\/span>\u00a0(2002).\u00a0<em>Existencilism<\/em>. Londres: Weapons of Mass Distraction.<\/p>\n<p><span><strong>Banksy<\/strong><\/span>\u00a0(2005).\u00a0<em>Wall and Piece<\/em>. Londres: The Random House Group.<\/p>\n<p><strong>Berger, J.<\/strong>\u00a0(2005\/2015).\u00a0<em>Sobre el dibujo<\/em>. Barcelona: Gustavo Gili.<\/p>\n<p><span><strong>Bey, H.<\/strong><\/span>\u00a0(1992\/1994).\u00a0<em>Immediatism<\/em>. Edimburg: AK Press.<\/p>\n<p><strong>BLU<\/strong>\u00a0(2007).\u00a0<em>PAC Milano Wall<\/em>. [En l\u00ednia]. Blublu.org. [Data de consulta: 4 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"http:\/\/www.blublu.org\/sito\/walls\/2007\/006.html\">http:\/\/www.blublu.org\/sito\/walls\/2007\/006.html<\/a>&gt;<\/p>\n<p><strong>BLU<\/strong>\u00a0(2016).\u00a0<em>BLU<\/em>. [En l\u00ednia]. Blublu.org. [Data de consulta: 4 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"http:\/\/www.blublu.org\/\">http:\/\/www.blublu.org\/<\/a>&gt;<\/p>\n<p><strong>Braund, S.<\/strong>\u00a0(2012).\u00a0<em>The Authorial Illustrator: 10 Years of the Falmouth Illustration Forum<\/em>. Penryn: Atlantic Press.<\/p>\n<p><strong>Brooklynmuseum.org<\/strong>.\u00a0<em>Battle of Karbala.<\/em>\u00a0[En l\u00ednia]. [Data de consulta: 25 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"https:\/\/www.brooklynmuseum.org\/opencollection\/objects\/3054\">https:\/\/www.brooklynmuseum.org\/opencollection\/objects\/3054<\/a>&gt;<\/p>\n<p><strong>Buzan, T.<\/strong>\u00a0(1971\/1998).\u00a0<em>El libro de la lectura r\u00e1pida<\/em>. Barcelona: Urano.<\/p>\n<p><strong>Buzan, T.<\/strong>\u00a0(1974\/1984).\u00a0<em>Use Your Head<\/em>. Londres: Guild Publishing.<\/p>\n<p><strong>Buzan, T.<\/strong>\u00a0(1993\/1996).\u00a0<em>El libro de los mapas mentales<\/em>. Barcelona: Urano.<\/p>\n<p><strong>Campi Valls, I.<\/strong>\u00a0(1992\/2008).\u00a0<em>Qu\u00e8 \u00e9s el disseny?<\/em>\u00a0Barcelona: Aula \/ Edicions 62.<\/p>\n<p><strong>Cepeda, L.<\/strong>\u00a0(1978). \u00abCharlando con Moebius\u00bb.\u00a0<em>Totem<\/em>\u00a0(n\u00fam. 11, p\u00e0g. 4-6). Madrid: Editorial Nueva Frontera.<\/p>\n<p><strong>Ching, F. D. K.; Juroszek, S. P.<\/strong>\u00a0(1998\/2010).\u00a0<em>Dibujo y proyecto<\/em>. Barcelona: Gustavo Gili.<\/p>\n<p><strong>Choi, J.<\/strong>\u00a0(2016).\u00a0<em>Painting Unicorn in VR &#8211; Vive: Tilt Brush<\/em>. YouTube. [En l\u00ednia]. [Data de consulta: 3 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"https:\/\/www.youtube.com\/watch?v=mn3JFpjTl5Q\">https:\/\/www.youtube.com\/watch?v=mn3JFpjTl5Q<\/a>&gt;<\/p>\n<p><span><strong>Clottes, J.;<\/strong><\/span><span><strong>\u00a0<\/strong><strong>Lewis-Williams, D.<\/strong><\/span>\u00a0(1996\/2010).\u00a0<em>Los chamanes de la prehistoria.<\/em>\u00a0Barcelona: Ariel.<\/p>\n<p><strong>Commons.wikimedia.org<\/strong>\u00a0(1895).\u00a0<em>File:Brooklyn Museum &#8211; Battle of Karbala &#8211; Abbas Al-Musavi &#8211; overall.jpg &#8211; Wikimedia Commons<\/em>. [En l\u00ednia]. [Data de consulta: 4 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Brooklyn_Museum_-_Battle_of_Karbala_-_Abbas_Al-Musavi_-_overall.jpg\">https:\/\/commons.wikimedia.org\/wiki\/File:Brooklyn_Museum_-_Battle_of_Karbala_-_Abbas_Al-Musavi_-_overall.jpg<\/a>&gt;<\/p>\n<p><strong>Commons.wikimedia.org<\/strong>\u00a0(1907).\u00a0<em>File:Tomb of Nakht (8).jpg &#8211; Wikimedia Commons<\/em>. [En l\u00ednia]. [Data de consulta: 4 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Tomb_of_Nakht_(8).jpg\">https:\/\/commons.wikimedia.org\/wiki\/File:Tomb_of_Nakht_(8).jpg<\/a>&gt;<\/p>\n<p><strong>Commons.wikimedia.org<\/strong>\u00a0(1962).\u00a0<em>File:Cueva de Altamira-19621007-003.jpg &#8211; Wikimedia Commons<\/em>. [En l\u00ednia]. [Data de consulta: 4 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Cueva_de_Altamira-19621007-003.jpg\">https:\/\/commons.wikimedia.org\/wiki\/File:Cueva_de_Altamira-19621007-003.jpg<\/a>&gt;<\/p>\n<p><strong>Commons.wikimedia.org<\/strong>\u00a0(2001).\u00a0<em>File:10 Bisonte Magdaleniense.jpg &#8211; Wikimedia Commons.<\/em>\u00a0[En l\u00ednia]. [Data de consulta: 4 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:10_Bisonte_Magdaleniense.jpg\">https:\/\/commons.wikimedia.org\/wiki\/File:10_Bisonte_Magdaleniense.jpg<\/a>&gt;<\/p>\n<p><strong>Commons.wikimedia.org<\/strong>\u00a0(2007).\u00a0<em>File:1942 Nash Ambassador X-ray.jpg &#8211; Wikimedia Commons<\/em>. [En l\u00ednia]. [Data de consulta: 4 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:1942_Nash_Ambassador_X-ray.jpg\">https:\/\/commons.wikimedia.org\/wiki\/File:1942_Nash_Ambassador_X-ray.jpg<\/a>&gt;<\/p>\n<p><span><strong>Commons.wikimedia.org<\/strong><\/span>\u00a0(2016).\u00a0<em>Category:Graphic recording<\/em>. [En l\u00ednia]. Wikimedia Commons. [Data de consulta: 1 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"https:\/\/commons.wikimedia.org\/wiki\/Category:Graphic_recording\">https:\/\/commons.wikimedia.org\/wiki\/Category:Graphic_recording<\/a>&gt;<\/p>\n<p><strong>Crespi, I.;<\/strong><strong>\u00a0<\/strong><strong><span>Ferrario, J.<\/span><\/strong>\u00a0(1971\/1977).\u00a0<em>L\u00e9xico t\u00e9cnico de las artes pl\u00e1sticas<\/em>. Buenos Aires: Eudeba.<\/p>\n<p><strong>Da Vinci, L.<\/strong>\u00a0(1877\/2005).\u00a0<em>A Treatise on Painting<\/em>. Mineola: Dover.<\/p>\n<p><strong>Daucher, H.<\/strong>\u00a0(1984\/1987).\u00a0<em>Modos de dibujar 1: Principios.<\/em>\u00a0Barcelona: Gustavo Gili.<\/p>\n<p><strong>De Reyna, R.<\/strong>\u00a0(1972\/2002).\u00a0<em>How to Draw What you See.<\/em>\u00a0Nova York: Watson-Guptill.<\/p>\n<p><strong>Dibujar<\/strong>\u00a0(2011). A:\u00a0<em>Diccionario de la lengua espa\u00f1ola<\/em><em>\u00a0<\/em>(22a. ed.). Madrid: Real Academia Espa\u00f1ola.<\/p>\n<p><strong>Dondis, D. A.<\/strong>\u00a0(1973\/2007).\u00a0<em>La sintaxis de la imagen: Introducci\u00f3n al alfabeto visual<\/em>. Barcelona: Gustavo Gili.<\/p>\n<p><strong>Durero, A.<\/strong>\u00a0(2016<em>)<\/em><em>.\u00a0File:Albrecht D\u00fcrer &#8211; Study of Two Feet &#8211; Google Art Project.jpg &#8211; Wikimedia Commons<\/em>. Commons.wikimedia.org. [En l\u00ednia]. [Data de consulta: 4 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Albrecht_D\u00fcrer_-_Study_of_Two_Feet_-_Google_Art_Project.jpg\">https:\/\/commons.wikimedia.org\/wiki\/File:Albrecht_D\u00fcrer_-_Study_of_Two_Feet_-_Google_Art_Project.jpg<\/a>&gt;<\/p>\n<p><strong>Edwards, B.<\/strong>\u00a0(1979\/2000).\u00a0<em>Nuevo aprender a dibujar con el lado derecho del cerebro<\/em>. Barcelona: Urano.<\/p>\n<p>&lt;<a href=\"https:\/\/archive.org\/details\/NkFp7qK9PWbZUezb2ANdqfIrb4\">https:\/\/archive.org\/details\/NkFp7qK9PWbZUezb2ANdqfIrb4<\/a>&gt; (en castell\u00e0)<\/p>\n<p>&lt;<a href=\"https:\/\/archive.org\/details\/pdfy-5dQt81v7NYVZl2La\">https:\/\/archive.org\/details\/pdfy-5dQt81v7NYVZl2La<\/a>&gt; (en angl\u00e8s)<\/p>\n<p><strong>Eisner, W.<\/strong>\u00a0(1985\/1996).\u00a0<em>El comic y el arte secuencial.<\/em>\u00a0Barcelona: Norma.<\/p>\n<p><strong>Eisner, W.<\/strong>\u00a0(1998).\u00a0<em>La narraci\u00f3n gr\u00e1fica<\/em>. Barcelona: Norma.<\/p>\n<p><span><strong>Es.wikipedia.org<\/strong><\/span>\u00a0(2016).\u00a0<em>La gran ola de Kanagawa<\/em>. [En l\u00ednia]. [Data de consulta: 1 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"https:\/\/es.wikipedia.org\/wiki\/La_gran_ola_de_Kanagawa\">https:\/\/es.wikipedia.org\/wiki\/La_gran_ola_de_Kanagawa<\/a>&gt;<\/p>\n<p><strong>Es.wikipedia.org<\/strong>\u00a0(2016).\u00a0<em>Light Painting<\/em>. [En l\u00ednia]. [Data de consulta: 2 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"https:\/\/es.wikipedia.org\/wiki\/Light_Painting\">https:\/\/es.wikipedia.org\/wiki\/Light_Painting<\/a>&gt;<\/p>\n<p><strong>Es.wikipedia.org<\/strong>\u00a0(2016).\u00a0<em>Ma (espacio negativo)<\/em>. [En l\u00ednia]. [Data de consulta: 1 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"https:\/\/es.wikipedia.org\/wiki\/Ma_(espacio_negativo)\">https:\/\/es.wikipedia.org\/wiki\/Ma_(espacio_negativo)<\/a>&gt;<\/p>\n<p><strong>Es.wikipedia.org<\/strong>\u00a0(2016).\u00a0<em>Pareidolia<\/em>. [En l\u00ednia]. [Data de consulta: 2 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"https:\/\/es.wikipedia.org\/wiki\/Pareidolia\">https:\/\/es.wikipedia.org\/wiki\/Pareidolia<\/a>&gt;<\/p>\n<p><span><strong>Es.wikipedia.org<\/strong><\/span>\u00a0(2016).\u00a0<em>Pintura china<\/em>. [En l\u00ednia]. [Data de consulta: 1 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"https:\/\/es.wikipedia.org\/wiki\/Pintura_china\">https:\/\/es.wikipedia.org\/wiki\/Pintura_china<\/a>&gt;<\/p>\n<p><strong>Es.wikipedia.org<\/strong>\u00a0(2016).\u00a0<em>Pol\u00edptico de la Misericordia<\/em>. [En l\u00ednia]. [Data de consulta: 4 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"https:\/\/es.wikipedia.org\/wiki\/Pol\u00edptico_de_la_Misericordia\">https:\/\/es.wikipedia.org\/wiki\/Pol\u00edptico_de_la_Misericordia<\/a>&gt;<\/p>\n<p><strong>Es.wikipedia.org<\/strong>\u00a0(2016).\u00a0<em>Ukiyo-e<\/em>. [En l\u00ednia]. [Data de consulta: 1 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"https:\/\/es.wikipedia.org\/wiki\/Ukiyo-e\">https:\/\/es.wikipedia.org\/wiki\/Ukiyo-e<\/a>&gt;<\/p>\n<p><strong>Escenograf\u00eda ARTEFACTO<\/strong>\u00a0(2016).\u00a0<em>ARTEFACTO<\/em>. Artefacto.biz. [En l\u00ednia]. [Data de consulta: 4 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"http:\/\/www.artefacto.biz\/proyectos.php?cat_id=10&amp;id=88\">http:\/\/www.artefacto.biz\/proyectos.php?cat_id=10&amp;id=88<\/a>&gt;<\/p>\n<p><strong>Etymonline.com<\/strong>\u00a0(2016).\u00a0<em>Draw<\/em>. [En l\u00ednia]. [Data de consulta: 2 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"http:\/\/etymonline.com\/index.php?term=draw&amp;allowed_in_frame=0\">http:\/\/etymonline.com\/index.php?term=draw&amp;allowed_in_frame=0<\/a>&gt;<\/p>\n<p><strong>Franck, F.<\/strong>\u00a0(1973).\u00a0<em>The Zen of Seeing<\/em>. Nova York: Vintage Books.<\/p>\n<p><strong>Franck, F.<\/strong>\u00a0(1973).\u00a0<em>The Zen of Seeing<\/em>. Nova York: Vintage Books.<\/p>\n<p><strong>Franck, F.<\/strong>\u00a0(1993).\u00a0<em>Zen Seeing, Zen Drawing: Meditation in Action<\/em>. Nova York: Bantam.<\/p>\n<p><strong>Gaud\u00ed, A.<\/strong>\u00a0(1891).\u00a0<em>File:CasaBotines2.png &#8211; Wikimedia Commons.<\/em>\u00a0Commons.wikimedia.org. [En l\u00ednia]. [Data de consulta: 4 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:CasaBotines2.png\">https:\/\/commons.wikimedia.org\/wiki\/File:CasaBotines2.png<\/a>&gt;<\/p>\n<p><strong>Glaser, M.<\/strong>\u00a0(2008).\u00a0<em>Drawing is Thinking.<\/em>\u00a0Woodstock: Overlook.<\/p>\n<p><strong>Godefroy, F.<\/strong>\u00a0(1883).\u00a0<em>Deboissier<\/em>. A:\u00a0<em>Dictionnaire de l\u2019ancienne langue fran\u00e7aise et de tous ses dialectes du IX<sup>e<\/sup><\/em><em>\u00a0<\/em><em>au XV<sup>e<\/sup><\/em><em>\u00a0<\/em><em>si\u00e8cle<\/em>\u00a0(vol. II, p\u00e0g. 435). Par\u00eds: F. Vieweg.<\/p>\n<p><strong>G\u00f3mez Molina, J. J.; Cabezas, L.; Bordes, J.<\/strong>\u00a0(2001).\u00a0<em>El manual de dibujo: Estrategias de su ense\u00f1anza en el siglo XX.<\/em>\u00a0Madrid: C\u00e1tedra.<\/p>\n<p><span><strong>Goncourt, E.<\/strong><\/span>\u00a0(2008).\u00a0<em>Utamaro<\/em>. Nova York: Parkstone Press.<\/p>\n<p><span><strong>Goncourt, E.<\/strong><\/span>\u00a0(2009).\u00a0<em>Hokusai.<\/em>\u00a0Nova York: Parkstone Press.<\/p>\n<p><strong>Gregory, D.<\/strong>\u00a0(2003).\u00a0<em>Everyday<\/em><em>\u00a0<\/em><em>Matters: A Memoir<\/em>. Nova York: Hyperion.<\/p>\n<p><strong>Gubern, R.<\/strong>\u00a0(1972).\u00a0<em>El lenguaje de los comics<\/em>. Barcelona: Ediciones Pen\u00ednsula.<\/p>\n<p><strong>Heller, S.; Arisman, M.<\/strong>\u00a0(2004).\u00a0<em>Inside the Business of Illustration.<\/em>\u00a0Nova York: Allsworth Press.<\/p>\n<p><strong>Hokusai, K.<\/strong>\u00a0(1760).\u00a0<em>File:Hokusai 1760-1849 Ocean waves.jpg &#8211; Wikimedia Commons<\/em>. Commons.wikimedia.org. [En l\u00ednia]. [Data de consulta: 4 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Hokusai_1760-1849_Ocean_waves.jpg\">https:\/\/commons.wikimedia.org\/wiki\/File:Hokusai_1760-1849_Ocean_waves.jpg<\/a>&gt;<\/p>\n<p><strong>Joordens, J.<\/strong>\u00a0(2015). \u00abHomo erectus at Trinil on Java used shells for tool production and engraving\u00bb.\u00a0<em>Nature<\/em>\u00a0(vol. 7538, n\u00fam. 518, p\u00e0g. 228-231).<\/p>\n<p><strong>Klee, P.<\/strong>\u00a0(1879).\u00a0<em>File:GUGG Aged Phoenix (Invention 9).jpg<\/em>\u00a0<em>&#8211; Wikimedia Commons<\/em>. Commons.wikimedia.org. [En l\u00ednia]. [Data de consulta: 4 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:GUGG_Aged_Phoenix_(Invention_9).jpg\">https:\/\/commons.wikimedia.org\/wiki\/File:GUGG_Aged_Phoenix_(Invention_9).jpg<\/a>&gt;<\/p>\n<p><strong>Kutt, A.<\/strong>\u00a0(2016).\u00a0<em>Tilt Brush test<\/em>. Vimeo. [En l\u00ednia]. [Data de consulta: 3 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"https:\/\/vimeo.com\/171544808\">https:\/\/vimeo.com\/171544808<\/a>&gt;<\/p>\n<p><em>La cueva de los sue\u00f1os olvidados<\/em>\u00a0(2010). Werner Herzog (dir.). Fran\u00e7a, Estats Units, Canad\u00e0 (DVD).<\/p>\n<p><strong>Laing, J.; Saunders-Davies, R.<\/strong>\u00a0(1988).\u00a0<em>Materiales gr\u00e1ficos y t\u00e9cnicas<\/em>. Madrid: Blume.<\/p>\n<p><strong>Livingstone, M.<\/strong>\u00a0(2002).\u00a0<em>Vision and Art<\/em>. Nova York: Harry N. Abrams.<\/p>\n<p><strong>Loomis, A.<\/strong>\u00a0(1951\/1983).\u00a0<em>Dibujo tridimensional<\/em>. Buenos Aires: Hachette.<\/p>\n<p>&lt;<a href=\"https:\/\/ia600708.us.archive.org\/1\/items\/andrew-loomis-successful-drawing\/andrew-loomis-successful-drawing.pdf\">https:\/\/ia600708.us.archive.org\/1\/items\/andrew-loomis-successful-drawing\/andrew-loomis-successful-drawing.pdf<\/a><\/p>\n<p><a href=\"https:\/\/archive.org\/search.php?query=creator%3A%22Loomis%2C+Andrew%22\">https:\/\/archive.org\/search.php?query=creator%3A&#8221;Loomis,+Andrew&#8221;<\/a>&gt;<\/p>\n<p><strong>Loomis, A.<\/strong>\u00a0(1956\/1991).\u00a0<em>Dibujo de cabeza y manos<\/em>. Buenos Aires: Hachette.<\/p>\n<p><strong>Loomis, A.<\/strong>\u00a0(1959\/1991).\u00a0<em>Dibujo de figura en todo su valor<\/em>. Buenos Aires: Hachette.<\/p>\n<p><strong>L\u00f3pez Salamero, N.; Cameros Sierra, M.<\/strong>\u00a0(2013).\u00a0<em>La Cenicienta que no quer\u00eda comer perdices<\/em>. Barcelona: Planeta.<\/p>\n<p><em>Max Ernst: Mein Vagabundieren &#8211; Meine Unruhe<\/em>\u00a0(1991). Peter Schamoni (dir.). Alemanya (DVD).<\/p>\n<p><strong>McCloud, S.<\/strong>\u00a0(1993\/1995).\u00a0<em>C\u00f3mo se hace un c\u00f3mic: El arte invisible.<\/em>\u00a0Barcelona: Ediciones B.<\/p>\n<p><strong>Meglin, N.<\/strong>\u00a0(1999\/2001).\u00a0<em>El placer de dibujar: Libera la creatividad que llevas dentro<\/em>. Barcelona: Urano.<\/p>\n<p><strong>Metzger, P.<\/strong>\u00a0(1988\/1991).\u00a0<em>El dibujo de perspectiva a su alcance <\/em><em>(vol.<\/em> I i II). Col\u00f2nia: Taschen.<\/p>\n<p><strong>Museodealtamira.mcu.es<\/strong><strong>\u00a0<\/strong>(2016).\u00a0<em>Museo de Altamira<\/em>. [En l\u00ednia]. [Data de consulta: 4 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"http:\/\/museodealtamira.mcu.es\/\">http:\/\/museodealtamira.mcu.es\/<\/a>&gt;<\/p>\n<p><strong>NBT Channel<\/strong>\u00a0(2016).\u00a0<em>Trying tilt brush with oculus vr.<\/em>\u00a0YouTube. [En l\u00ednia]. [Data de consulta: 3 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"https:\/\/www.youtube.com\/watch?v=6ttwaL_9RWE\">https:\/\/www.youtube.com\/watch?v=6ttwaL_9RWE<\/a>&gt;<\/p>\n<p><strong>Nicolaides, K.<\/strong>\u00a0(1941\/1990).\u00a0<em>The Natural Way to Draw<\/em>. Boston: Houghton Mifflin Company.<\/p>\n<p><strong>Palau i Fabre, J.<\/strong>\u00a0(1962\/2002).\u00a0<em>Vidas de Picasso<\/em>. Barcelona: Proa.<\/p>\n<p><strong>Pallasmaa, J.<\/strong>\u00a0(1999\/2014).\u00a0<em>La mano que piensa: Sabidur\u00eda existencial y corporal en la arquitectura<\/em>. Barcelona: Gustavo Gili.<\/p>\n<p><strong>Petherbridge, D.<\/strong>\u00a0(2010).\u00a0<em>The primacy of drawing<\/em>. New Haven: Yale University Press.<\/p>\n<p><strong>Picasso, P.; Heyden, T.<\/strong>\u00a0(1997).\u00a0<em>Picasso: Trazos y dichos<\/em>. Barcelona: Ediciones B.<\/p>\n<p><strong>Powell, D.<\/strong>\u00a0(1986\/1993).\u00a0<em>T\u00e9cnicas de presentaci\u00f3n: Gu\u00eda de dibujo y presentaci\u00f3n de proyectos y dise\u00f1os<\/em>. Madrid: Tursen \/ Blume.<\/p>\n<p><strong>Ramachandran, V.<\/strong>\u00a0(2012).\u00a0<em>Lo que el cerebro nos dice<\/em>. Barcelona: Paid\u00f3s.<\/p>\n<p><strong>Ramachandran, V. S.; Hirstein, W.<\/strong>\u00a0(1999). \u00abThe Science of Art: A Neurological Theory of Aesthetic Experience\u00bb.\u00a0<em>Journal of Consciousness Studies<\/em>\u00a0(n\u00fam. 6, p\u00e0g. 15-51).<\/p>\n<p><strong>Roam, D.<\/strong>\u00a0(2010\/2009).\u00a0<em>Tu mundo en una servilleta: Resolver problemas y vender ideas mediante dibujos.<\/em><em>\u00a0<\/em>Ediciones Gesti\u00f3n 2000.<\/p>\n<p><strong>Rodr\u00edguez Bosch, M.<\/strong>\u00a0(2014).\u00a0<em>\u00bfPor qu\u00e9 dejamos de dibujar?<\/em>\u00a0[En l\u00ednia].<em>\u00a0<\/em><em>La Vanguardia<\/em>. [Data de consulta: 1 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"http:\/\/www.lavanguardia.com\/estilos-de-vida\/20140328\/54404149668\/por-que-dejamos-de-dibujar.html?utm_campaign=botones_sociales&amp;utm_source=facebook&amp;utm_medium=social\">http:\/\/www.lavanguardia.com\/estilos-de-vida\/20140328\/54404149668\/por-que-dejamos-de-dibujar.html?utm_campaign=botones_sociales&amp;utm_source=facebook&amp;utm_medium=social<\/a>&gt;<\/p>\n<p><strong>Shaughnessy, A.<\/strong>\u00a0(2011). \u00abAuthorial Illustration\u00bb. A: D. Brazell; J. Davies.\u00a0<em>Making Great Illustration<\/em>. Londres: A &amp; C Black.<\/p>\n<p><span><strong>Smejkal, F.<\/strong><\/span>\u00a0(1974).\u00a0<em>Surrealist Drawings.<\/em>\u00a0Londres: Octopus Books.<\/p>\n<p><span><strong>Strange, E. F.<\/strong><\/span>\u00a0(1906).\u00a0<em>Hokusai: Old Man Mad About Drawing<\/em>. Nova York: Charles Scrivner\u2019s Sons.<\/p>\n<p><strong>Tanizaki, J.<\/strong>\u00a0(1933\/2001).\u00a0<em>El elogio de la sombra<\/em>. Madrid: Siruela.<\/p>\n<p><strong>T\u00e0ssies, J. A.<\/strong>\u00a0(2010).\u00a0<em>Nombres robados<\/em>. Madrid: SM.<\/p>\n<p><strong>Tavares, P.; Madureira, M.; Teixeira, P.<\/strong>\u00a0(2010, desembre). \u00abTeaching How To Draw. Technology and its Repercussions on Contemporaneity\u00bb. [En l\u00ednia].\u00a0<em>TRACEY<\/em>. [Data de consulta: 1 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"http:\/\/www.lboro.ac.uk\/microsites\/sota\/tracey\/journal\/dat\/images\/Tavares.pdf\">http:\/\/www.lboro.ac.uk\/microsites\/sota\/tracey\/journal\/dat\/images\/Tavares.pdf<\/a>&gt;<\/p>\n<p><strong>Tiltbrush.com<\/strong>\u00a0(2016).\u00a0<em>Tilt Brush by Google<\/em>. [En l\u00ednia]. [Data de consulta: 2 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"http:\/\/www.tiltbrush.com\/\">http:\/\/www.tiltbrush.com\/<\/a>&gt;<\/p>\n<p><strong>Viquip\u00e8dia<\/strong>\u00a0(2016).\u00a0<em>Graphic facilitation<\/em>. [En l\u00ednia]. [Data de consulta: 1 de juliol de 2016].<\/p>\n<p>&lt;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Graphic_facilitation\">https:\/\/en.wikipedia.org\/wiki\/Graphic_facilitation<\/a>&gt;<\/p>\n<p><strong>Wilson, F. R.<\/strong>\u00a0(1999).\u00a0<em>The Hand: How its use shapes the brain, language, and human culture<\/em>. Nova York: Vintage Books.<\/p>\n<p><strong>Zeegen, L.<\/strong>\u00a0(2005).\u00a0<em>The fundamentals of illustration<\/em>. Lausana: AVA.<\/p>\n<p>&lt;<a href=\"http:\/\/dibujario.com\/graphic-recording\/\">http:\/\/dibujario.com\/graphic-recording\/<\/a>&gt;<\/p>","protected":false},"excerpt":{"rendered":"<p>Arnheim, R.\u00a0(1969\/1986).\u00a0El pensamiento visual.\u00a0Barcelona: Paid\u00f3s. Aryse\u00a0(2013).\u00a0Gjon Mili y Picasso: dibujando con la luz. [En l\u00ednia]. [Data de consulta: 2 de juliol de 2016]. &lt;http:\/\/www.aryse.org\/gjon-mili-y-picasso-dibujando-con-la-luz\/&gt; ASALE\u00a0(2016).\u00a0Dibujo. Diccionario de la lengua espa\u00f1ola. [En l\u00ednia]. [Data de consulta: 2 de juliol de 2016]. &lt;http:\/\/dle.rae.es\/?id=DgED6Zj&gt; Banksy\u00a0(2001).\u00a0Banging Your Head Against a Brick Wall. Bristol: Banksy. Banksy\u00a0(2002).\u00a0Existencilism. Londres: Weapons of Mass [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"acf":[],"_links":{"self":[{"href":"http:\/\/disseny-test.uoc.edu\/recursos\/dd\/ca\/wp-json\/wp\/v2\/pages\/462"}],"collection":[{"href":"http:\/\/disseny-test.uoc.edu\/recursos\/dd\/ca\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/disseny-test.uoc.edu\/recursos\/dd\/ca\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/disseny-test.uoc.edu\/recursos\/dd\/ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/disseny-test.uoc.edu\/recursos\/dd\/ca\/wp-json\/wp\/v2\/comments?post=462"}],"version-history":[{"count":24,"href":"http:\/\/disseny-test.uoc.edu\/recursos\/dd\/ca\/wp-json\/wp\/v2\/pages\/462\/revisions"}],"predecessor-version":[{"id":588,"href":"http:\/\/disseny-test.uoc.edu\/recursos\/dd\/ca\/wp-json\/wp\/v2\/pages\/462\/revisions\/588"}],"wp:attachment":[{"href":"http:\/\/disseny-test.uoc.edu\/recursos\/dd\/ca\/wp-json\/wp\/v2\/media?parent=462"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}