{"id":184,"date":"2017-06-21T09:30:24","date_gmt":"2017-06-21T09:30:24","guid":{"rendered":"http:\/\/disseny-test.uoc.edu\/recursos\/dis-marca\/?page_id=184"},"modified":"2017-06-29T07:51:24","modified_gmt":"2017-06-29T07:51:24","slug":"2-las-tipografias-10","status":"publish","type":"page","link":"http:\/\/disseny-test.uoc.edu\/recursos\/dis-marca\/ca\/2-las-tipografias-10\/","title":{"rendered":"2. Les tipografies"},"content":{"rendered":"<p><\/p>\n<h3>2.4. Normes b\u00e0siques en tipografia<\/h3>\n<h3>2.4.2. No \u00e9s una bona idea combinar dues fonts que s\u2019assemblin massa<\/h3>\n<p>Barrejar dues tipografies que s\u2019assemblin massa en les seves formes no t\u00e9 gaire sentit. En l\u2019\u00e0mbit est\u00e8tic, cal jugar amb dues fonts que es complementin per\u00f2 que, clarament, siguin diferents entre si.<\/p>\n<p><div id=\"attachment_187\" style=\"width: 460px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-187\" loading=\"lazy\" class=\"img-responsive wp-image-187 size-full\" src=\"http:\/\/disseny-test.uoc.edu\/recursos\/dis-marca\/wp-content\/uploads\/sites\/22\/2017\/06\/20118_a2_016.jpg\" alt=\"\" width=\"450\" height=\"450\" srcset=\"http:\/\/disseny-test.uoc.edu\/recursos\/dis-marca\/wp-content\/uploads\/sites\/22\/2017\/06\/20118_a2_016.jpg 450w, http:\/\/disseny-test.uoc.edu\/recursos\/dis-marca\/wp-content\/uploads\/sites\/22\/2017\/06\/20118_a2_016-150x150.jpg 150w, http:\/\/disseny-test.uoc.edu\/recursos\/dis-marca\/wp-content\/uploads\/sites\/22\/2017\/06\/20118_a2_016-300x300.jpg 300w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><p id=\"caption-attachment-187\" class=\"wp-caption-text\">Podem veure en la imatge exemples de mala i bona combinaci\u00f3 de tipografies. El primer \u00e9s una combinaci\u00f3 fallida, perqu\u00e8 les dues tipografies s\u00f3n massa similars, el seu tra\u00e7 \u00e9s massa semblant. Els altres dos exemples s\u00f3n m\u00e9s adequats, ja que s\u2019est\u00e0 barrejant tipografia amb serif i de pal: juntes aconsegueixen un equilibri, ja que aconsegueixen varietat, impacte i donen molt joc en l\u2019\u00e0mbit est\u00e8tic.<\/p><\/div><\/p>","protected":false},"excerpt":{"rendered":"<p>2.4. Normes b\u00e0siques en tipografia 2.4.2. No \u00e9s una bona idea combinar dues fonts que s\u2019assemblin massa Barrejar dues tipografies que s\u2019assemblin massa en les seves formes no t\u00e9 gaire sentit. En l\u2019\u00e0mbit est\u00e8tic, cal jugar amb dues fonts que es complementin per\u00f2 que, clarament, siguin diferents entre si.<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"acf":[],"_links":{"self":[{"href":"http:\/\/disseny-test.uoc.edu\/recursos\/dis-marca\/ca\/wp-json\/wp\/v2\/pages\/184"}],"collection":[{"href":"http:\/\/disseny-test.uoc.edu\/recursos\/dis-marca\/ca\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/disseny-test.uoc.edu\/recursos\/dis-marca\/ca\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/disseny-test.uoc.edu\/recursos\/dis-marca\/ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/disseny-test.uoc.edu\/recursos\/dis-marca\/ca\/wp-json\/wp\/v2\/comments?post=184"}],"version-history":[{"count":3,"href":"http:\/\/disseny-test.uoc.edu\/recursos\/dis-marca\/ca\/wp-json\/wp\/v2\/pages\/184\/revisions"}],"predecessor-version":[{"id":550,"href":"http:\/\/disseny-test.uoc.edu\/recursos\/dis-marca\/ca\/wp-json\/wp\/v2\/pages\/184\/revisions\/550"}],"wp:attachment":[{"href":"http:\/\/disseny-test.uoc.edu\/recursos\/dis-marca\/ca\/wp-json\/wp\/v2\/media?parent=184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}