{"id":110,"date":"2017-02-02T11:33:50","date_gmt":"2017-02-02T11:33:50","guid":{"rendered":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/?page_id=110"},"modified":"2017-03-06T15:40:48","modified_gmt":"2017-03-06T15:40:48","slug":"6-1-introduccion","status":"publish","type":"page","link":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/ca\/6-1-introduccion\/","title":{"rendered":"6. Moviment"},"content":{"rendered":"<p><\/p>\n<h3>6.1. Introducci\u00f3<\/h3>\n<p>Segons Dondis, el moviment \u00e9s probablement una de les forces visuals m\u00e9s predominants en l\u2019experi\u00e8ncia humana i la percepci\u00f3 del moviment \u00a0\u00e9s una cosa present en tot all\u00f2 que veiem, incl\u00fas les imatges est\u00e0tiques (p\u00e0g. 79). De la mateixa manera, Bruce Block coincideix amb Dondis en la idea que el moviment \u00e9s el primer element que atrau l\u2019atenci\u00f3. El moviment es produeix m\u00e9s literalment en el camp audiovisual per despla\u00e7ament de la c\u00e0mera, per\u00f2 no s\u2019ha d\u2019oblidar el moviment produ\u00eft pel recorregut que realitzen els ulls de l\u2019espectador en mirar la imatge, tal com hem vist fins ara.<\/p>\n<p>A m\u00e9s, tal com expliquen R\u00e0fols i Colomer (2016), el moviment en l\u2019audiovisual s\u2019expressa per mitj\u00e0 del temps. En una imatge est\u00e0tica el temps permet aprofundir en la lectura, mentre que en una imatge en moviment el temps implica transformaci\u00f3 (March, 2011).<\/p>\n<div class=\"fondo-fila\">\n<p><div class='content-column one_half'>En el quadre de Van Gogh, el moviment es produeix a partir de la direcci\u00f3 de les pinzellades en cadascun dels elements representats; a m\u00e9s a\u00a0 m\u00e9s, la repetici\u00f3 de les pinzellades i els patrons de color confereixen ritme a la pintura.<\/div><div class='content-column one_half last_column'><div id=\"attachment_217\" style=\"width: 610px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-217\" loading=\"lazy\" class=\"size-full wp-image-217 img-responsive\" src=\"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-content\/uploads\/sites\/19\/2017\/02\/20106_m1_027.png\" alt=\"Wheat Field with Cypresses, V. van Gogh, 1889, Open Access for Scholarly Content (OASC) via Met website.\" width=\"600\" height=\"475\" srcset=\"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-content\/uploads\/sites\/19\/2017\/02\/20106_m1_027.png 600w, http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-content\/uploads\/sites\/19\/2017\/02\/20106_m1_027-300x238.png 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><p id=\"caption-attachment-217\" class=\"wp-caption-text\"><em>Wheat Field with Cypresses<\/em>, V. van Gogh, 1889, Open Access for Scholarly Content (OASC) via <a href=\"http:\/\/www.metmuseum.org\/art\/collection\/search\/436535\" target=\"_blank\">Met website<\/a>.<\/p><\/div><\/div><div class='clear_column'><\/div><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<div class=\"fondo-fila\">\n<p><div class='content-column one_half'>En el cas de la fotografia, la captura del moviment resulta m\u00e9s evident. En aquesta imatge la posici\u00f3 dels dofins marca el moviment vertical.<\/div><div class='content-column one_half last_column'><div id=\"attachment_218\" style=\"width: 610px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-218\" loading=\"lazy\" class=\"size-full wp-image-218 img-responsive\" src=\"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-content\/uploads\/sites\/19\/2017\/02\/20106_m1_028.png\" alt=\"Oceanogr\u00e0fic, Gemma San Cornelio, 2014.\" width=\"600\" height=\"355\" srcset=\"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-content\/uploads\/sites\/19\/2017\/02\/20106_m1_028.png 600w, http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-content\/uploads\/sites\/19\/2017\/02\/20106_m1_028-300x178.png 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><p id=\"caption-attachment-218\" class=\"wp-caption-text\"><em>Oceanogr\u00e0fic<\/em>, Gemma San Cornelio, 2014.<\/p><\/div><\/div><div class='clear_column'><\/div><\/p>\n<\/div>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>6.1. Introducci\u00f3 Segons Dondis, el moviment \u00e9s probablement una de les forces visuals m\u00e9s predominants en l\u2019experi\u00e8ncia humana i la percepci\u00f3 del moviment \u00a0\u00e9s una cosa present en tot all\u00f2 que veiem, incl\u00fas les imatges est\u00e0tiques (p\u00e0g. 79). De la mateixa manera, Bruce Block coincideix amb Dondis en la idea que el moviment \u00e9s el [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"acf":[],"_links":{"self":[{"href":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/ca\/wp-json\/wp\/v2\/pages\/110"}],"collection":[{"href":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/ca\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/ca\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/ca\/wp-json\/wp\/v2\/comments?post=110"}],"version-history":[{"count":8,"href":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/ca\/wp-json\/wp\/v2\/pages\/110\/revisions"}],"predecessor-version":[{"id":426,"href":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/ca\/wp-json\/wp\/v2\/pages\/110\/revisions\/426"}],"wp:attachment":[{"href":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/ca\/wp-json\/wp\/v2\/media?parent=110"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}