{"id":116,"date":"2017-02-02T11:51:13","date_gmt":"2017-02-02T11:51:13","guid":{"rendered":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/?page_id=116"},"modified":"2017-02-23T11:08:36","modified_gmt":"2017-02-23T11:08:36","slug":"6-2-1-composicion-horizontal","status":"publish","type":"page","link":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/ca\/6-2-1-composicion-horizontal\/","title":{"rendered":"6. Moviment"},"content":{"rendered":"<p><\/p>\n<h3>6.2. Estabilitat, dinamisme i ritme<\/h3>\n<p>Aix\u00ed doncs, podem abordar la q\u00fcesti\u00f3 del moviment en la composici\u00f3 a partir de les nocions d\u2019estaticisme, estabilitat o dinamisme que estan presents en determinades estructures. A grans trets, es podia dir que les composicions l\u2019estructura predominant de les quals \u00e9s horitzontal tendeixen a l\u2019estabilitat. L\u2019exemple m\u00e9s conegut serien les natures mortes de Zurbar\u00e1n.<\/p>\n<h3>6.2.1. Composici\u00f3 horitzontal<\/h3>\n<div class=\"fondo-fila\">\n<p><div class='content-column one_half'>Tanmateix, en aquesta composici\u00f3 de C\u00e9zanne, predominantment horitzontal, hi ha dinamisme present en el moviment de les fruites, en la vertical del gerro de la dreta aix\u00ed com en els colors. Podr\u00edem dir que equilibri no \u00e9s incompatible amb estabilitat, per\u00f2 no al rev\u00e9s: una cosa desequilibrada no podr\u00e0 ser est\u00e0tica.<\/div><div class='content-column one_half last_column'><div id=\"attachment_219\" style=\"width: 610px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-219\" loading=\"lazy\" class=\"size-full wp-image-219 img-responsive\" src=\"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-content\/uploads\/sites\/19\/2017\/02\/20106_m1_029.png\" alt=\"Still Life with Apples and a Pot of Primroses, Paul C\u00e9zanne, 1890, Open Access for Scholarly Content (OASC) via Met website.\" width=\"600\" height=\"474\" srcset=\"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-content\/uploads\/sites\/19\/2017\/02\/20106_m1_029.png 600w, http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-content\/uploads\/sites\/19\/2017\/02\/20106_m1_029-300x237.png 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><p id=\"caption-attachment-219\" class=\"wp-caption-text\"><em>Still Life with Apples and a Pot of Primroses<\/em>, Paul C\u00e9zanne, 1890, Open Access for Scholarly Content (OASC) via <a href=\"http:\/\/www.metmuseum.org\/art\/collection\/search\/435882?sortBy=Relevance&amp;ft=cezanne&amp;offset=0&amp;rpp=20&amp;pos=5\" target=\"_blank\">Met website<\/a>.<\/p><\/div><\/div><div class='clear_column'><\/div><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<div class=\"fondo-fila\">\n<p><div class='content-column one_half'>En el cas concret de la fotografia, respecte a les composicions horitzontals regeix l\u2019anomenada llei de l\u2019horitz\u00f3. Aquesta no nom\u00e9s serveix per a fotografies de paisatges en qu\u00e8 tinguem un horitz\u00f3, sin\u00f3 tamb\u00e9 per a qualsevol l\u00ednia de la imatge que ens ajudi a dividir la composici\u00f3 en dues parts diferenciades. De la mateixa manera, mantenir rectes les horitzontals contribuir\u00e0 a fer que la composici\u00f3 sigui m\u00e9s est\u00e0tica.<\/div><div class='content-column one_half last_column'><div id=\"attachment_119\" style=\"width: 610px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-119\" loading=\"lazy\" class=\"img-responsive wp-image-119 size-full\" src=\"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-content\/uploads\/sites\/19\/2017\/02\/20106_m1_030.png\" alt=\"Barri del Carme, Gemma San Cornelio, 1996.\" width=\"600\" height=\"438\" srcset=\"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-content\/uploads\/sites\/19\/2017\/02\/20106_m1_030.png 600w, http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-content\/uploads\/sites\/19\/2017\/02\/20106_m1_030-300x219.png 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><p id=\"caption-attachment-119\" class=\"wp-caption-text\"><em>Barri del Carme<\/em>, Gemma San Cornelio, 1996.<\/p><\/div><\/div><div class='clear_column'><\/div><\/p>\n<\/div>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>6.2. Estabilitat, dinamisme i ritme Aix\u00ed doncs, podem abordar la q\u00fcesti\u00f3 del moviment en la composici\u00f3 a partir de les nocions d\u2019estaticisme, estabilitat o dinamisme que estan presents en determinades estructures. A grans trets, es podia dir que les composicions l\u2019estructura predominant de les quals \u00e9s horitzontal tendeixen a l\u2019estabilitat. L\u2019exemple m\u00e9s conegut serien les [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"acf":[],"_links":{"self":[{"href":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/ca\/wp-json\/wp\/v2\/pages\/116"}],"collection":[{"href":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/ca\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/ca\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/ca\/wp-json\/wp\/v2\/comments?post=116"}],"version-history":[{"count":7,"href":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/ca\/wp-json\/wp\/v2\/pages\/116\/revisions"}],"predecessor-version":[{"id":389,"href":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/ca\/wp-json\/wp\/v2\/pages\/116\/revisions\/389"}],"wp:attachment":[{"href":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/ca\/wp-json\/wp\/v2\/media?parent=116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}