{"id":125,"date":"2017-02-02T12:02:40","date_gmt":"2017-02-02T12:02:40","guid":{"rendered":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/?page_id=125"},"modified":"2017-03-06T15:43:22","modified_gmt":"2017-03-06T15:43:22","slug":"6-2-3-composicion-en-diagonal","status":"publish","type":"page","link":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/6-2-3-composicion-en-diagonal\/","title":{"rendered":"6. Movimiento"},"content":{"rendered":"<p><\/p>\n<h3><strong>6.2. Estabilidad, dinamismo y ritmo<\/strong><\/h3>\n<h3><strong>6.2.3. Composici\u00f3n en diagonal<\/strong><\/h3>\n<p>Sin duda, la composici\u00f3n en diagonal es la m\u00e1s din\u00e1mica y en algunos casos, adem\u00e1s de generar ilusi\u00f3n de movimiento, genera desasosiego. La composici\u00f3n en diagonal fue ampliamente utilizada por artistas como Ribera, que resaltaba las figuras en posiciones forzadas en algunos casos.<\/p>\n<div class=\"fondo-fila\">\n<div class='content-column one_half'>Otros autores,\u00a0como Modigliani, han utilizado este recurso que otorga dinamismo. En este caso, tambi\u00e9n acompa\u00f1ado por la presencia de curvas que exageran y dan fuerza.<\/div>\n<div class='content-column one_half last_column'><div id=\"attachment_220\" style=\"width: 610px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-220\" loading=\"lazy\" class=\"size-full wp-image-220 img-responsive\" src=\"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-content\/uploads\/sites\/19\/2017\/02\/20106_m1_032.png\" alt=\"Reclining Nude, Amedeo Modigliani, 1917, Open Access for Scholarly Content (OASC) via Met website.\" width=\"600\" height=\"389\" srcset=\"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-content\/uploads\/sites\/19\/2017\/02\/20106_m1_032.png 600w, http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-content\/uploads\/sites\/19\/2017\/02\/20106_m1_032-300x195.png 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><p id=\"caption-attachment-220\" class=\"wp-caption-text\"><em>Reclining Nude<\/em>, Amedeo Modigliani, 1917, Open Access for Scholarly Content (OASC) via <a href=\"http:\/\/www.metmuseum.org\/art\/collection\/search\/486847?sortBy=Relevance&amp;amp;ft=modigliani&amp;amp;offset=0&amp;amp;rpp=20&amp;amp;pos=1\" target=\"_blank\">Met website<\/a>.<\/p><\/div><\/div><div class='clear_column'><\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<div class=\"fondo-fila\">\n<div class='content-column one_half'>En esta fotograf\u00eda se utiliza como referencia la diagonal reforzada por el brazo, aunque con l\u00edneas m\u00e1s rectas.<\/div>\n<div class='content-column one_half last_column'><div id=\"attachment_221\" style=\"width: 610px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-221\" loading=\"lazy\" class=\"size-full wp-image-221 img-responsive\" src=\"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-content\/uploads\/sites\/19\/2017\/02\/20106_m1_033.png\" alt=\"Cartes, Gemma San Cornelio, 1997.\" width=\"600\" height=\"475\" srcset=\"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-content\/uploads\/sites\/19\/2017\/02\/20106_m1_033.png 600w, http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-content\/uploads\/sites\/19\/2017\/02\/20106_m1_033-300x238.png 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><p id=\"caption-attachment-221\" class=\"wp-caption-text\"><em>Cartes<\/em>, Gemma San Cornelio, 1997.<\/p><\/div><\/div><div class='clear_column'><\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<div class=\"fondo-fila\">\n<div class='content-column one_half'>En este caso, casi abstracci\u00f3n geom\u00e9trica, da la sensaci\u00f3n de que vaya a caerse el edificio.<\/div>\n<div class='content-column one_half last_column'><div id=\"attachment_222\" style=\"width: 610px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-222\" loading=\"lazy\" class=\"size-full wp-image-222 img-responsive\" src=\"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-content\/uploads\/sites\/19\/2017\/02\/20106_m1_034.png\" alt=\"Mezquita X\u00faquer, Gemma San Cornelio, 1996.\" width=\"600\" height=\"404\" srcset=\"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-content\/uploads\/sites\/19\/2017\/02\/20106_m1_034.png 600w, http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-content\/uploads\/sites\/19\/2017\/02\/20106_m1_034-300x202.png 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><p id=\"caption-attachment-222\" class=\"wp-caption-text\"><em>Mezquita X\u00faquer<\/em>, Gemma San Cornelio, 1996.<\/p><\/div><\/div><div class='clear_column'><\/div>\n<\/div>\n<p><strong>\u00a0<\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>6.2. Estabilidad, dinamismo y ritmo 6.2.3. Composici\u00f3n en diagonal Sin duda, la composici\u00f3n en diagonal es la m\u00e1s din\u00e1mica y en algunos casos, adem\u00e1s de generar ilusi\u00f3n de movimiento, genera desasosiego. La composici\u00f3n en diagonal fue ampliamente utilizada por artistas como Ribera, que resaltaba las figuras en posiciones forzadas en algunos casos. &nbsp; &nbsp; \u00a0<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"acf":[],"_links":{"self":[{"href":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-json\/wp\/v2\/pages\/125"}],"collection":[{"href":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-json\/wp\/v2\/comments?post=125"}],"version-history":[{"count":9,"href":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-json\/wp\/v2\/pages\/125\/revisions"}],"predecessor-version":[{"id":428,"href":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-json\/wp\/v2\/pages\/125\/revisions\/428"}],"wp:attachment":[{"href":"http:\/\/disseny-test.uoc.edu\/recursos\/form-comp\/wp-json\/wp\/v2\/media?parent=125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}