{"id":128,"date":"2017-01-26T08:59:41","date_gmt":"2017-01-26T08:59:41","guid":{"rendered":"http:\/\/disseny-test.uoc.edu\/recursos\/tipo\/?page_id=128"},"modified":"2021-07-19T11:58:20","modified_gmt":"2021-07-19T11:58:20","slug":"1-lletres-15","status":"publish","type":"page","link":"http:\/\/disseny-test.uoc.edu\/recursos\/tipo\/es\/1-lletres-15\/","title":{"rendered":"1. Letras"},"content":{"rendered":"<p><\/p>\n<h3><strong>1.7. Clasificaci\u00f3n tipogr\u00e1fica<\/strong><\/h3>\n<h4><strong>1.7.3. Caligr\u00e1ficas<\/strong><\/h4>\n<p>&nbsp;<\/p>\n<h4><strong>Incisas\u00a0<\/strong>(ej. Copperplate Gothic, Perpetua y Trajan)<\/h4>\n<p>Rasgos basados en los caracteres cortados en piedra o metal. Modulaci\u00f3n media en el trazo y remates insinuados.<\/p>\n<div id=\"attachment_41\" style=\"width: 460px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-41\" loading=\"lazy\" class=\"img-responsive wp-image-41 size-full\" src=\"http:\/\/disseny-test.uoc.edu\/recursos\/tipo\/wp-content\/uploads\/sites\/18\/2017\/01\/1.7.1.10-incises.png\" alt=\"Figura 38. Incises\" width=\"450\" height=\"162\" srcset=\"http:\/\/disseny-test.uoc.edu\/recursos\/tipo\/wp-content\/uploads\/sites\/18\/2017\/01\/1.7.1.10-incises.png 450w, http:\/\/disseny-test.uoc.edu\/recursos\/tipo\/wp-content\/uploads\/sites\/18\/2017\/01\/1.7.1.10-incises-300x108.png 300w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><p id=\"caption-attachment-41\" class=\"wp-caption-text\">Figura 41. Tipograf\u00eda Optima (1958), dise\u00f1ada por Herman Zapf para <i>D. Stempel A.G<\/i>.<\/p><\/div>\n<h4><strong>De escritura y manuales\u00a0<\/strong>(ej. Comic Sans, Edwardian y Mistral)<\/h4>\n<p>Imitan los trazos manuales con diferentes herramientas. Pueden tener caracteres enlazados o sueltos.<\/p>\n<div id=\"attachment_797\" style=\"width: 460px\" class=\"wp-caption alignleft\"><img aria-describedby=\"caption-attachment-797\" loading=\"lazy\" class=\"img-responsive wp-image-797\" src=\"http:\/\/disseny-test.uoc.edu\/recursos\/tipo\/wp-content\/uploads\/sites\/18\/2021\/07\/1.7.3.11-bergona.jpg\" alt=\"\" width=\"450\" height=\"140\" srcset=\"http:\/\/disseny-test.uoc.edu\/recursos\/tipo\/wp-content\/uploads\/sites\/18\/2021\/07\/1.7.3.11-bergona.jpg 840w, http:\/\/disseny-test.uoc.edu\/recursos\/tipo\/wp-content\/uploads\/sites\/18\/2021\/07\/1.7.3.11-bergona-300x94.jpg 300w, http:\/\/disseny-test.uoc.edu\/recursos\/tipo\/wp-content\/uploads\/sites\/18\/2021\/07\/1.7.3.11-bergona-768x240.jpg 768w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><p id=\"caption-attachment-797\" class=\"wp-caption-text\">Figura 42. Tipograf\u00eda FF Tartine (2002), dise\u00f1ada por Xavier Dupr\u00e9 y Panos Haratzopoulos y publicada por <em>FontFont<\/em><\/p><\/div>\n<h4><strong>Fracturas\u00a0<\/strong><b>(ej. Brokenscript, Fraktur y Old English Text) <\/b><\/h4>\n<p>Estructura densa y negro muy marcado en la p\u00e1gina, donde destacan las l\u00edneas verticales y las terminaciones puntiagudas y angulosas.<\/p>\n<div id=\"attachment_798\" style=\"width: 460px\" class=\"wp-caption alignleft\"><img aria-describedby=\"caption-attachment-798\" loading=\"lazy\" class=\"img-responsive wp-image-798\" src=\"http:\/\/disseny-test.uoc.edu\/recursos\/tipo\/wp-content\/uploads\/sites\/18\/2021\/07\/1.7.3.12-bergona.jpg\" alt=\"\" width=\"450\" height=\"116\" srcset=\"http:\/\/disseny-test.uoc.edu\/recursos\/tipo\/wp-content\/uploads\/sites\/18\/2021\/07\/1.7.3.12-bergona.jpg 840w, http:\/\/disseny-test.uoc.edu\/recursos\/tipo\/wp-content\/uploads\/sites\/18\/2021\/07\/1.7.3.12-bergona-300x77.jpg 300w, http:\/\/disseny-test.uoc.edu\/recursos\/tipo\/wp-content\/uploads\/sites\/18\/2021\/07\/1.7.3.12-bergona-768x197.jpg 768w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><p id=\"caption-attachment-798\" class=\"wp-caption-text\">Figura 43. Tipograf\u00eda FF Brokenscript (1991), dise\u00f1ada por Just van Rossum y publicada por <em>FontFont<\/em><\/p><\/div>\n<p>&nbsp;<\/p>\n<h4><strong>Conclusiones<\/strong><\/h4>\n<p>Dentro de las caligr\u00e1ficas encontramos las incisas, las de escritura y manuales y las fracturas.<\/p>","protected":false},"excerpt":{"rendered":"<p>1.7. Clasificaci\u00f3n tipogr\u00e1fica 1.7.3. Caligr\u00e1ficas &nbsp; Incisas\u00a0(ej. Copperplate Gothic, Perpetua y Trajan) Rasgos basados en los caracteres cortados en piedra o metal. Modulaci\u00f3n media en el trazo y remates insinuados. De escritura y manuales\u00a0(ej. Comic Sans, Edwardian y Mistral) Imitan los trazos manuales con diferentes herramientas. Pueden tener caracteres enlazados o sueltos. Fracturas\u00a0(ej. Brokenscript, Fraktur [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"acf":[],"_links":{"self":[{"href":"http:\/\/disseny-test.uoc.edu\/recursos\/tipo\/es\/wp-json\/wp\/v2\/pages\/128"}],"collection":[{"href":"http:\/\/disseny-test.uoc.edu\/recursos\/tipo\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/disseny-test.uoc.edu\/recursos\/tipo\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/disseny-test.uoc.edu\/recursos\/tipo\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/disseny-test.uoc.edu\/recursos\/tipo\/es\/wp-json\/wp\/v2\/comments?post=128"}],"version-history":[{"count":13,"href":"http:\/\/disseny-test.uoc.edu\/recursos\/tipo\/es\/wp-json\/wp\/v2\/pages\/128\/revisions"}],"predecessor-version":[{"id":892,"href":"http:\/\/disseny-test.uoc.edu\/recursos\/tipo\/es\/wp-json\/wp\/v2\/pages\/128\/revisions\/892"}],"wp:attachment":[{"href":"http:\/\/disseny-test.uoc.edu\/recursos\/tipo\/es\/wp-json\/wp\/v2\/media?parent=128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}